15 586 безплатни аудиофайлове за "Bwv 847 – Prelude And Fugue No. 2 In C Minor From Well Tempered Clavier I"

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Measure 4 from Ludwig van Beethoven's Piano Sonata No. 8 (Pathetique), Op. 13. This example demonstrates nonuplet 128th notes (semihemidemisemiquavers), 64th notes (hemidemisemiquavers), and one 32nd note (demisemiquaver).
Автор: Untitled
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Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload
Автор: Original file uploaded by user:OldakQuill
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Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload
Автор: Original file uploaded by user:OldakQuill
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Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload
Автор: Original file uploaded by user:OldakQuill
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Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload
Автор: Original file uploaded by user:OldakQuill
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Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload
Автор: Original file uploaded by user:OldakQuill
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*Bohlen-Pierce three steps on C = E. 33/13 = 438.91 cents. MIDI pitch bend: 57,76
Автор: Hyacinth
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*Bohlen-Pierce eleven steps on C = A♯/B♭. 311/13 = 409.35 cents. MIDI pitch bend: 126,66
Автор: Hyacinth
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*Bohlen-Pierce twelve steps on C = B. 312/13 = 1755.65 cents. MIDI pitch bend: 103,49 1755.65-1200= 555.65 cents.
Автор: Hyacinth
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*Bohlen-Pierce seven steps on C = H. 37/13 = 1024.13 cents. MIDI pitch bend: 92,71
Автор: Hyacinth
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*Bohlen-Pierce ten steps on C = A. 310/13 = 1463.04 cents. MIDI pitch bend: 22,52 1463.04-1200=263.04 cents
Автор: Hyacinth
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*Bohlen-Pierce eight steps on C = H♯/J♭. 38/13 = 1170.43 cents. MIDI pitch bend: 68,54
Автор: Hyacinth
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*Bohlen-Pierce six steps on C = G. 36/13 = 877.83 cents. MIDI pitch bend: 115,56
Автор: Hyacinth
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*Bohlen-Pierce nine steps on C = J. 39/13 = 1316.74 cents. MIDI pitch bend: 45,69 1316.74-1200=116.74 cents.
Автор: Hyacinth
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*Bohlen-Pierce five steps on C = F♯/G♭. 35/13 = 731.52 cents. MIDI pitch bend: 11,74
Автор: Hyacinth
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*Bohlen-Pierce one step on C = C♯/D♭. 31/13 = 146.30 cents. MIDI pitch bend: 104,78
Автор: Hyacinth
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*Bohlen-Pierce four steps on C = F. 34/13 = 585.22 cents. MIDI pitch bend: 34,59
Автор: Hyacinth
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*Bohlen-Pierce clarinet unison on C = C. Just: 1/1 = 0 cents. MIDI pitch bend: 0,64
Автор: Hyacinth
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*Bohlen-Pierce two steps on C = D. 32/13 = 292.61 cents. MIDI pitch bend: 81,61
Автор: Hyacinth
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Full diatonic fifteenth chord from Listz on B
Автор: Hyacinth
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Fifteenth chord from Perry on C
Автор: Hyacinth
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Bach's Prelude and Fugue in G minor (BWV 558) performed by the United States Air Force Academy Band. Track 10 from American Fanfare (2009).
Автор: Composition: Johann Sebastian Bach; Performance: United States Air Force Academy Band; Recording: United States Air Force Academy Band
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Ascending melodic minor scale on A.
Автор: Hyacinth
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Cello concerto in e minor, op. 85 - iv. allegro, Op. 85
Автор: Skidmore College Orchestra (see Musopen for author information)
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Piano Sonata no. 15 in D major op.28 "Pastoral" - I. allegro by Karine Gilanyan
Автор: Untitled
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Johannes Brahms - concerto in a minor, op. 102 'double concerto' - iii. vivace non troppo (double concerto)
Автор: Johannes Brahms (1833-1897) (see Musopen for performance author information)
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5-tet scale on C. Pitch bend matches intervals.
Автор: Hyacinth (talk) at English Wikipedia using Sibelius 5.
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Sveriges Radios folkmusikinspelningar. Spelmansstämma i Västanvik. Dokumentatör: Radiotjänsts ursprungliga produktionsnummer: 59/61:3:8
Автор: Untitled
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Sveriges Radios folkmusikinspelningar. Spelmansstämma i Leksand. Dokumentatör: Sveriges Radio (Q1543058) Radiotjänsts ursprungliga produktionsnummer: 51/15093
Автор: Untitled
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Interpretation of the early Middle Ages song Drømte mig en drøm i nat Średniowieczna duńska piosenka ludowa Drømte mig en drøm i nat
Автор: Movzx
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Coronation scene from Boris Godunov
Автор: Mussorgsky
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Piano Sonata No. 8 (Beethoven) second movement (Adagio cantabile) 12 KB, 5:03 minutes
Автор: Untitled
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Secondary dominant with barbershop seventh chords. V/V - V - I in F major (G7-C7-F). Derived from [1]. In just intonation. Sevenths are harmonic sevenths, and the F in the first measure is 27.26 cents lower than the F in the third measure. Pitch bend matches intervals.
Автор: Hyacinth
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19th harmonic minor triad on C. MIDI pitch bend matches intervals.
Автор: Created by Hyacinth (talk) in Sibelius 5 with midi pitch bend on 26,63 for 297.513016 cents rather than 300 and 80,64 for 701.953125 cents rather than 700.
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*Five-hundred-sixty-seventh harmonic on C = D♭+. Just: 567/512 = 176.65 cents. Limit: 7-limit. MIDI pitch bend: 67,88 on m2
Автор: Hyacinth
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*Hundred-thirty-third harmonic on C = D♭. Just: 133/128 = 66.34 cents. Limit: 19-limit. MIDI pitch bend: 29,85
Автор: Hyacinth
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Mystic chord on C as the 1, 11, 7, 5, 13, and 9th harmonics (harmonics 8 through 14, without 12). 1 = C = 0 cents = unison 11 = F↑ = 551.32 cents = eleventh harmonic 7 = B♭ = 968.83 cents = harmonic seventh 5 = E = 386.31 cents = just major third 13 = A♭ = 840.53 cents = thirteenth harmonic 9 = D = 203.91 cents = large just whole tone
Автор: Hyacinth
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public domain recording from the library of congress
Автор: The original uploader was TUF-KAT at English Wikipedia.
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Wenn wir in höchsten Nöten sein; Gotteslob (1975) Hildesheim 846
Автор: Melodie: 1547/1567; Satz und Tondatei: Rabanus Flavus (Peter Gerloff)
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19-tet scale on C (63.16 cent steps). MIDI pitch bend matches intervals.
Автор: Hyacinth
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7-tone equal tempered scale represented in traditional notation. + and - indicates approximate distance above and below notated pitch. Pitch bend matches intervals.
Автор: Created by Hyacinth (talk) 23:38, 12 October 2010 using Sibelius 5.
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C Phrygian dominant scale. Created by Hyacinth (talk) 00:37, 5 July 2010 using Sibelius 5.
Автор: Hyacinth at English Wikipedia
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Midi file of BWV 601 from the Orgelbüchlein adapted with different instrumentation from lilypond file on Mutopia
Автор: J.S.Bach
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Midi file of BWV 639 from the Orgelbüchlein adapted with different instrumentation and ornamentations from lilypond file on Mutopia
Автор: J.S.Bach
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Midi file of BWV 611 from the Orgelbüchlein adapted with different instrumentation and ornamentation from lilypond file on Mutopia
Автор: J.S.Bach
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Midi file of BWV 640 from the Orgelbüchlein adapted with new instrumentation from lilypond file on Mutopia
Автор: J.S.Bach
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Midi file of BWV 607 from the Orgelbüchlein adapted with different instrumentation from lilypond file on Mutopia
Автор: J.S.Bach
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Midi file of 3rd Variation of Canonic Variations of J. S. Bach, produced using lilypond
Автор: J. S. Bach
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Midi file of BWV 644 from the Orgelbüchlein adapted with different instrumentation from lilypond file on Mutopia
Автор: J.S.Bach
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Midi file of BWV 630 from the Orgelbüchlein adapted with new instrumentation from lilypond file on Mutopia
Автор: J.S.Bach
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